The beauty of Watercolour

For well over two centuries watercolor painting has been an important element within the development of British Art, but only recently has it been given the status that it deserves. In recent years it has become appreciated by a much wider audience resulting in higher saleroom prices, not only for eighteenth and nineteenth century masters but for modern masters.

Twenty years ago if you mentioned that you painted in watercolor immediately you would get the feeling that folks thought that you painted in some wishy washy insipid medium. After all why call it watercolor if it isn’t pigment diluted with water? Watercolor has always been the poor relation to oil paint, or even more recently to acrylic. Watercolors have always been considered throughout art history as just drawings in color.

The story goes that William Turner was painting one evening by the mouth of the Thames. Turner was passionately capturing the sunset as it set over the water. His expressive style was emphasizing the strong colors that he used. A fellow out walking comes along and studies Turner and his rendition of the sunset in a puzzled way. The walker spent some time trying to match up Turners colors with the actual sunset. He eventually comments, I just don’t see colors like those. To which Turner replied No, but don’t you wish you could.

Turner and more recently Paul Cezanne, Picasso, Georgia O Keefe, Andrew Wyeth, and even more recently modern masters such as David Hockney, Rothko, Patrick Proctor and Howard Hodgkin have made watercolor more popular to the critics because of the non wishy washy way that they have produced watercolor paintings.

Watercolor has become accepted as a medium that can be pushed in many directions. It has long been considered a difficult medium, but it is these difficult qualities that can be used to creative effect. All watercolorists know about runbacks, and other naughty qualities. Using this knowledge we can stop them from becoming happy accidents and things that we can use when and how we want to use them.

Watercolor can be used in a loose expressionistic way or in a more controlled analytical way, depending on the artists personality. You are what you are and you will paint in the way that your personality dictates. It is important that if you are a watercolor newbie not to allow watercolor teachers to push you in a direction that suits their teaching style, but goes against your personality.

What does it matter which medium we paint in? - Oil, acrylic, watercolor or elephant dung. What is important is the idea. Once you come up with an idea that you feel passionate about you will find the correct medium to communicate your idea. The idea is much more important than the medium.

Watercolor is no different than any other painting medium. It is capable of being pushed in many expressive and creative directions, but in the end, like any other tool, its only as good as the person using it.

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William Turner: “A New Herball” Vols 1 and 2: Parts I, II and III (Boxed Set)

24: Complete Season 4 [2004]
Hard to believe, but after all these years, 24 is as vital and compulsive as it always was. For this fourth series, the rules are still the same: all the action takes place in real time, and the series again follows a single day in the life of Jack Bauer (Kiefer Sutherland).

Fortunately, Jack’s knack of attracting trouble hasn’t deserted him either, and quickly, it’s business as usual. Starting the series with a fresh romance, a different job and one heck of an explosion, it doesn’t take long before Jack is back in action, and he’s soon joined by a mixture of new and familiar faces.

To talk about the plot would be unfair, as 24 is consistently a dish best served cold. Suffice to say that there’s a heady mix of plotlines, twists and downright brilliant cliffhangers. Perhaps the cocktail isn’t as fresh as it once was, and there are moments where you can’t help but feel that plausibility is being stretched a little too far. But accepting that is part and parcel of the 24 experience, and arguably part of the fun.

That’s because even as it approaches its final stages, 24: Series 4 maintains a tremendous momentum and level of intrigue, and by the time the clock ticks for the last time at the end of the 24th episode, odds are you’ll be thirsting for more. Bluntly, in spite of its flaws, 24 remains one of the most essential shows currently on television–and this series offers ample evidence why.–Simon Brew
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Customer Review: not as good as the previous seasons
in comparison to other seasons of the brilliant 24, this is less than average. viewed as a stand alone tv show, this is really good, and still very addictive, entertaining and always full of surprises. For me, it was not as great as season 1 or 2. First, the secondary plots are totally unnecessary and do not add anything to the action. Second, some of the newly introduced characters are very dull, totally look out of place, and just boring. In addition, the plot of this seasons seems to be over complicated and just filled with a new disaster now and then to fill some space. I started to lose interest in the middle of the season, the last three episodes were the best. The end is a bit over the top, but it was O.K. Shame that the most interesting characters are losing their part, like George Mason, Tony Almada, who did have a big part in this season, but you can see it coming that it is about to be over for him soon. I was glad that Kim is out of the picture, but was replaced by Audurey, who made things a lot worse, and for me is one of the worst characters in the show. Hope the next season improves a lot, and not get as repetitive as this one.
Customer Review: WOW
Thats the only word to describe this season of 24 WOW, this will have you on the edge of your seat from beginning to end (rougly 18 hours of footage) this series continues to blow me away

Byrd/Taverner - Sacred Music
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Leprechaun
Customer Review: So awful you’ve got to see it
This is a film that I will never forget. It really is dreadful but unlike other dreadful movies, I would watch it again (and again), preferably with other people so that they too can experience its dreadfulness. When my boyfriend is hogging the TV, I threaten to put this film on and he instantly understands his wrongdoings. You have to see this film to believe it.
Customer Review: AN ORIGINAL SORY AND GOOD GORE BUT NOT MUCH ELSE
Ten years ago, an evil leprechaun (Warwick Davis) lives, protecting his ill-gotten cold collection. Today, Dan O’Grady, (Shay Duffin) after finding what he believes are magical gold coins, steals the gold and returns back home, followed by the leprechaun. Ten years later, Tory Redding (Jennifer Aniston (Yes, it’s the same one)) and her father JD (John Sanderford) move into the same house, which Tory isn’t extremely fond of. Due to heckling from neighbor Nathan, (Ken Olandt) Tory agrees to stay. When friend Ozzie (Mark Holton) finds the leprechaun in the basement, no one believes him. When he finds the sack of stolen gold coins, he tells his little brother Alex (Robert Gorman) and they take it to get it evaluated. The leprechaun tracks it down, killing the shop owner. As the residents around the town start to be killed off, Tory and her friends start to realize that the killer is a leprechaun. Understanding the significance of the gold coins, they use them in a plan to rid themselves of the malevolent creature. The Good News: First of all, I want to get this out. This is the probably the goriest entry in the series. We have some really bloody kills such as a few really good looking face scratching, some convincing burn marks a face ripped off, a car burner to the nose, and an ear bitten off. The killings did look a little bit more creative than normal, and the effectiveness of them is a real testament to the movie. Another great thing about the killings is that the Leprechaun harmed before he killed. The great special FX is the best part here. This includes the only scare in the film: the recreation of the leprechaun. When Ozzie finds the crate with the Leprechaun in the basement, he leans in closer to hear what the crate is making and the hand shoots forth. The crate is then splintered into pieces as a terrified Ozzie is sent cowering away in fear, with the unbelievable story to tell. The Leprechaun’s make-up in this one is perhaps the most frightening of the series. It’s probably due to the fact that the film is a straight horror film, rather than the sequels’ more hilarious tone. Because of the cracks in the face and the different dimensions it has, with the lighting in the film, creates a really unnerving sight when first viewed. You can tell this was intended to be a great slasher film, as it does follow the slasher rules: the indestructible killer, the false death, the desolate location, the killer chasing the victim and catching them by walking, and the setting up of the sequel. All these things aside, the best reason to watch one is to see Jennifer Aniston in a pair of short-shorts for ninety minutes, as she never changes clothes. The Bad News: The sequels are what made the series. They were all downright hilarious, which this one really isn’t. This one feels intended to be a straightforward horror story, and there are no real big laughs in this one. There are a few funny scenes that definitely show where the series is going, such as a pretty funny scene where Ozzie is drenched in paint after an accident, but the fans who love the series for it’s wacky gags and smart one-liners will be lost here. Also readily apparent is Warwick Davis’ almost disinterest in playing the leprechaun. I didn’t see the glee that he had in the sequels in his performance in this one. You can almost tell that he didn’t think this was going to be big and never really put his all in. Another big problem is that the film really doesn’t have a lot of suspense or shock scenes. Even the few scenes that follow those conventions are total letdowns. When Nathan goes outside to check on a noise, he wanders around the building for a while before he steps into a clearly visible bear-trap the Leprechaun has set. It’s all too easy to see. You would think that wandering around a big dark house after dark would be a slam-dunk scare, but it’s wasted. The Final Verdict: It has a lot of people that are against it, and a lot of people who love this film. It is very hard to determine who will enjoy this movie, so give a rental or check it out on TV. Either way, it won’t hurt you too much.

How to Quickly and Accurately Master ECG Interpretation
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Customer Review: Great introductory book on EKG interpretation!
A good systematic approach to EKG interpretation for the medical student. This book is a little weak on arrythmia interpretation, but it is exceptional at explaining axis deviation calculations, hypertrophy, and ischemic changes. Contains many practice EKGs with explanations.


William Turner: “A New Herball” Vols 1 and 2: Parts I, II and III (Boxed Set)
Customer Review: Good quality reproduction…but pricey!
This book is a great resource for researchers interested in early herbals. It provides a facsimile copy of all 3 parts of William Turners ground breaking “Herball” as well as translations into modern english (the orginal text is in heavy black lettered old english). The facsimile itself has been cleaned up and is very readable - unfortunately this loses the feel of the orginal book (its black and white, not grey scale and the text from the reverse page doesnt show through, the edges of the pages arent visible either so its almost like looking at a “posterised” version). The woodcuts (taken from Fuchs) are good quality but also only in black and white. There are no colour illustrations in the translations or appendices. All in all a good effort but at this price probably only of interest to the serious researcher…

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Picturesque Harford County: The Artistic Impressions of William F. Turner

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Customer Review: fine recordings from another age
`Legendary Recordings’ is what it says. These don’t all live up to that billing, but what we are given here are revealing mid twentieth century performances of four fine Vaughan Williams works. The CD begins with the `On Wenlock Edge’ song ycle with words taken from A.E.Houseman’s `A Shropshire Lad’ poems. This is a 1955 recording of the London String Quartet with Ivor Newton at the piano and George Maran singing. The contrast to modern performances is striking and refreshing. There is no attempt to place Vaughan Williams’s style (I notice English Folksong with a French impressionist accent is popular these days). They take the first track at a cracking pace for a blustery `On Wenlock Edge’ and revel in this music’s description of the natural elements all the way to the burbling brook of piano on `Clun’. They only fail to do justice during what should be the short terse 49 seconds of `Oh, When I was in love with you’, which gets lost in a wistful haze. But overall this is something of a revelation when placed next to recent recordings. Old King Cole: Ballet For Orchestra begins with the start of the `Old King Cole was a merry old soul’ song and dances its way through 19 minutes of tom foolery, pratfalls and general riotous behaviour. Anyone who thinks Vaughan Williams couldn’t let his hair down should listen to this. A good 1954 performance with Sir Adrian Boult conducting the London Philharmonic Orchestra. The Song of Thanksgiving was originally called `Thanksgiving for Victory’. It was commissioned by the BBC in 1944 so that they would have something with which to celebrate victory over Hitler. Their original choice of composer was William Walton. As he was too busy composing his music for Olivier’s Henry V film Vaughan Williams got the job. He delivered a suitably ceremonial work that refuses to turn into a populist flag waving exercise, instead rising to the grandeur of its texts - from the Bible, Kipling and Shakespeare. A 1951 recording with The London Philharmonic Orchestra conducted by Adrian Boult again, with The Luton Choral Society and solo singer and narrator. The recording of the Serenade to Music that rounds off the disc is a genuine legendary recording. The work sets words from Shakespeare’s `The Merchant of Venice’. Vaughan Williams wrote it specially for 16 of the finest British opera and concert singers of the time, giving each a part that suited their voice. The work was premiered at the Royal Albert Hall under the baton of Sir Henry Wood on 5th October 1938. This recording was made shortly afterwards using the same artists. The work is a brilliant slice of late romantic ear candy, a kind of love letter by the composer to the ability of the human voice to charm the senses. As the recordings were made between 1938 and 1955 we do not get anything like the clarity of modern recordings, but neither are we treated to any of the classic weaknesses of historic recordings. There is no annoying shrillness or thinness of tone. No pops, clicks or scratches, and no `noises off’ like musicians moving their chairs, which are often evident on the recordings of Sir Adrian Boult. The notes are informative, interesting, but hard to navigate: as they describe the disc artist by artist rather than work by work. All in all a thoroughly enjoyable CD.
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Customer Review: Brilliant film of a brilliant novel
When I first saw this film I really liked it, mainly because it wasn’t a formula film and I couldn’t begin to figure out what would happen next. I hadn’t seen anything like this for years: it was like a 1930s domestic comedy - driven by character and dialogue, rather than by action. The film was based on a 1985 Pulitzer-nominated novel by Anne Tyler, (I liked the film so much I went out and read the novel and now Anne Tyler is one of my favourite novelists.) The actors playing the central characters - William Hurt as Macon Leary, Kathleen Turner as his wife and Geena Davis all give really good performances. Davis’s portrayal of whacky Muriel Pritchett won her an Oscar for best supporting actress, but Hurt and Turner, playing a couple traumatised by the tragic death of their young son, are much less ‘animated’ and more subtle, and totally believable. Indeed Hurt plays his part as though he is sleep walking and still manages to earn our sympathy. The supporting cast also shines, particularly Leary’s sister and brothers and Pritchett’s young son. Lawrence Kasdan’s direction is fairly low-key but brilliantly catches all the nuances of this family saga and the film really deserved its Oscar nomination for best picture.
Customer Review: Wonderfully acted
This is a wonderfully touching portait of a man, Hurt, who cannot grieve for his dead son and eventually ends up losing his marriage as well. He writes travel books for people who hate travelling. For a while, after an accident, he goes back to the family home where his two dysfunctional brothers and sisters live cut off from the outside world. Then he meets a dog trainer, Geena Davis who is both wonderfully whacky and vulnerable and a rocky romance begins. As this is a Kasdan film nothing is ever straight forward, like real life really. Superbly acted by Hurt, Davis and Turner.
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Picturesque Harford County: The Artistic Impressions of William F. Turner

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Joseph Mallord William Turner

High quality art print by Joseph Mallord William Turner measuring 56×71cm
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Allposters.co.uk is the world’s #1 seller of posters, prints, photographs, specialty products and framed art. We’re dedicated to bringing our customers the best selection of high quality wall d?cor that is perfect for their home or office. Browse our catalog of over 300,000 items that include entertainment and specialty posters, decorative prints, and art reproductions. Whether you’re looking for your favorite movie or music poster, a framed Monet reproduction, or a print of the Eiffel Tower you will find it at Allposters.co.uk. Visit our Amazon store today at www.amazon.co.uk/allposters to find Special Offers and search by subject category or artist. Allposters.co.uk provides unmatched service with a 100% satisfaction guarantee. We ship internationally to over 80 countries. Decorate your home today with your favorite pictures.
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Allposters.co.uk is the world’s #1 seller of posters, prints, photographs, specialty products and framed art. We’re dedicated to bringing our customers the best selection of high quality wall d?cor that is perfect for their home or office. Browse our catalog of over 300,000 items that include entertainment and specialty posters, decorative prints, and art reproductions. Whether you’re looking for your favorite movie or music poster, a framed Monet reproduction, or a print of the Eiffel Tower you will find it at Allposters.co.uk. Visit our Amazon store today at www.amazon.co.uk/allposters to find Special Offers and search by subject category or artist. Allposters.co.uk provides unmatched service with a 100% satisfaction guarantee. We ship internationally to over 80 countries. Decorate your home today with your favorite pictures.
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Joseph Mallord William Turner

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William Turner: A New Herball 2 volume boxed set (hardback): William Turner: A New Herball: Parts II and III: Volume 2

Hahnem?hle William Turner A 2 naturwei?, 310 g, 50 Blatt

The Fighting Temeraire Fine Art Poster Print by William Turner, 28×23
Allposters.co.uk is the world’s #1 seller of posters, prints, photographs, specialty products and framed art. We’re dedicated to bringing our customers the best selection of high quality wall d?cor that is perfect for their home or office. Browse our catalog of over 300,000 items that include entertainment and specialty posters, decorative prints, and art reproductions. Whether you’re looking for your favorite movie or music poster, a framed Monet reproduction, or a print of the Eiffel Tower you will find it at Allposters.co.uk. Visit our Amazon store today at www.amazon.co.uk/allposters to find Special Offers and search by subject category or artist. Allposters.co.uk provides unmatched service with a 100% satisfaction guarantee. We ship internationally to over 80 countries. Decorate your home today with your favorite pictures.

Prince William [1998]
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The Daisy, or: Cautionary Stories in Verse. adapted to the Ideas of Children from Four to Eight Years Old


William Turner: A New Herball 2 volume boxed set (hardback): William Turner: A New Herball: Parts II and III: Volume 2
Customer Review: Good quality reproduction…but pricey!
This book is a great resource for researchers interested in early herbals. It provides a facsimile copy of all 3 parts of William Turners ground breaking “Herball” as well as translations into modern english (the orginal text is in heavy black lettered old english). The facsimile itself has been cleaned up and is very readable - unfortunately this loses the feel of the orginal book (its black and white, not grey scale and the text from the reverse page doesnt show through, the edges of the pages arent visible either so its almost like looking at a “posterised” version). The woodcuts (taken from Fuchs) are good quality but also only in black and white. There are no colour illustrations in the translations or appendices. All in all a good effort but at this price probably only of interest to the serious researcher…

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William Turner Book

#TITLE#Joseph Mallord William Turner#/TITLE#

Joseph Mallord William Turner

#BREAK#
#TITLE#Joseph Mallord William Turner (The Library of great painters. Portfolio ed)#/TITLE#

Joseph Mallord William Turner (The Library of great painters. Portfolio ed)

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#TITLE#Joseph Mallord William Turner (Masters of Art)#/TITLE#


Joseph Mallord William Turner (Masters of Art)

#BREAK#
#TITLE#William Turner#/TITLE#


William Turner

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#TITLE#Sir William Turner and His School#/TITLE#

Sir William Turner and His School

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#TITLE#William Turner of Oxford (1789-1862): A catalogue of a touring exhibition held at Oxfordshire County Museum, Woodstock 9 September-28 October 1984 : The … Bolton 15 December 1984-19 January 1985#/TITLE#

William Turner of Oxford (1789-1862): A catalogue of a touring exhibition held at Oxfordshire County Museum, Woodstock 9 September-28 October 1984 : The … Bolton 15 December 1984-19 January 1985

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#TITLE#William Turner: An English Expressionist#/TITLE#

William Turner: An English Expressionist

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#TITLE#A history of William Cuthbertson and Benjamin Wise, and adjoining families: Davis, Wilson, Lonon, Henson, Chandler, Thompson, Turner, and others#/TITLE#

A history of William Cuthbertson and Benjamin Wise, and adjoining families: Davis, Wilson, Lonon, Henson, Chandler, Thompson, Turner, and others

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#TITLE#William Turner und die Landschaft seiner Zeit#/TITLE#

William Turner und die Landschaft seiner Zeit

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#TITLE#Joseph Mallord William Turner: Tours of Durham and Richmonds Hire#/TITLE#


Joseph Mallord William Turner: Tours of Durham and Richmonds Hire

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#TITLE#William Turner in Deutschland#/TITLE#


William Turner in Deutschland

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#TITLE#William Styron’s Nat Turner;: Ten black writers respond, (Beacon paperback, BP 304)#/TITLE#

William Styron’s Nat Turner;: Ten black writers respond, (Beacon paperback, BP 304)

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#TITLE#If there’s a Word that whispers Love. Song, from “Poems of the Fancy and the Affections,” by William Sinclair, the melody by William Caird … The symphonies and accompaniment by George Turner, etc#/TITLE#

If there’s a Word that whispers Love. Song, from “Poems of the Fancy and the Affections,” by William Sinclair, the melody by William Caird … The symphonies and accompaniment by George Turner, etc

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#TITLE#Lusitania and Beyond: The Life of Commodore William Thomas Turner#/TITLE#

Lusitania and Beyond: The Life of Commodore William Thomas Turner
Customer Review: Well researched and thoroughly enjoyable!
This book tells the story of the Lusitania’s Captain, who lost his ship to a German U-boat in 1915. Those in power at that time have much to be ashamed of, and this book pulls no punches. Well worth the read, I couldn’t put it down!

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#TITLE#Two sixteenth-century northern protestants: John Bradford and William Turner#/TITLE#

Two sixteenth-century northern protestants: John Bradford and William Turner

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#TITLE#William Turner und der Rhein (Veröffentlichungen des Stadtarchivs Bonn)#/TITLE#

William Turner und der Rhein (Veröffentlichungen des Stadtarchivs Bonn)

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#TITLE#The William Turner family of Greene County, Mississippi#/TITLE#

The William Turner family of Greene County, Mississippi

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#TITLE#The William Turner Postcard Book (New Fine Arts Postcard Books)#/TITLE#

The William Turner Postcard Book (New Fine Arts Postcard Books)

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william styron’s Nat Turner Ten Black writers Respond

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william styron’s Nat Turner Ten Black writers Respond

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Extracts from the Herbal of William Turner. The most excellent and perfect home apothecarye for all griefs and diseases of the body. Printed in 1658. With illustrations

Ars Brittanica - Old HallManuscript, Madrigals & LuteSongs
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Byrd/Taverner - Sacred Music
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Windsor Castle art print 17×25cm by Joseph Mallord William Turner
High quality art print by Joseph Mallord William Turner measuring 17×25cm

Carousel [1956]
The 1956 screen adaptation of Carousel, like its immediate predecessor Oklahoma!, boasted then state-of-the-art widescreen cinematography, stereophonic sound, a starring romantic duo with on-screen chemistry, and the Rodgers & Hammerstein imprimatur. Adding to its promise was a source (the venerable Ferenc Molnar play Liliom) that had already been filmed three times. Contributing to the lustre are the coastal Maine locations where 20th Century Fox filmed principal photography. Yet unlike the original Broadway production, and despite evident craft, Carousel proved a box-office disappointment. Why? Hindsight argues that movie-goers of the 1950s may have been unprepared for its tragic narrative, the sometimes unsympathetic protagonist, and a spiritual subtext addressing life after death.

Whatever the obstacle, Carousel may well be a revelation to first-time viewers. The score is among the composers’ most affecting, from the glorious instrumental “Carousel Waltz” to a succession of exquisite love songs (”If I Loved You”), a heart-rending secular hymn (”You’ll Never Walk Alone”), and the expectant father’s poignant reverie, “Soliloquy”. Top-line stars Shirley Jones (as factory worker Julie Jordan) and Gordon MacRae (as Billy Bigelow, the carnival barker who woos and weds her) achieve greater dramatic urgency here than in the more successful Oklahoma!. MacRae in particular attains a personal best as the conflicted Billy, whose anxiety and wounded pride after losing his job are crucial to the plot. It’s Billy’s impatience to support his new family that drives him to an ill-fated decision, which transforms the fable into a ghost story. –Sam Sutherland, Amazon.com
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Customer Review: Well worth going to the Carousel
Regarded by many as the best Rodgers and Hammerstein musical, it still manages to pack a punch after all these years. Most people will probably already be familiar with the hymn-like standard ‘You’ll Never Walk Alone’, but there are plenty of other gems here that are worth tuning in for. Fans of Frank Sinatra may recognise Billy’s ‘Soliloquy’. The scene on the beach where Gordon McRae belts it out is now a movie musicals’ classic. My personal favourite is the beautifully tender duet ‘If I Loved You’, a song so loaded with the promise of romance and deeply felt regret all at the same time - surely (or Shirley??) one of the best love songs in any Broadway repertoire. Another of the musical’s high points comes with the opening ‘Carousel Waltz’ itself, an instrumental piece that perfectly captures the very mood of a funfair and is probably one of Rodgers’ finest compositions. It won’t leave your head for days! While the camerawork may look a bit dated now, the story is still relevant and quite moving. Both of the leads (Gordon McRae and Shirley Jones) are well cast and the singing is excellent. Exquisite stuff indeed.
Customer Review: A Timeless Musical Masterpiece
Undoubtedly the most touching and beautifully written of Rogers and Hammerstein's movie-musicals, this film is in turns lightheartedly funny and tear-jerkingly sad. Featuring classic songs “June is Busting Out All Over”, “If I Loved You” and “You'll Never Walk Alone” and the undisputed talent of Shirley Jones and Gordon McRae, this film will leave you with tears streaming down your face long after the credits.

Extracts from the Herbal of William Turner. The most excellent and perfect home apothecarye for all griefs and diseases of the body. Printed in 1658. With illustrations

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Beastly Boyz: A Twisted Tale of Revenge [2006]

Venice, San Benedetto Fine Art Poster Print by William Turner, 31×22
Allposters.co.uk is the world’s #1 seller of posters, prints, photographs, specialty products and framed art. We’re dedicated to bringing our customers the best selection of high quality wall d?cor that is perfect for their home or office. Browse our catalog of over 300,000 items that include entertainment and specialty posters, decorative prints, and art reproductions. Whether you’re looking for your favorite movie or music poster, a framed Monet reproduction, or a print of the Eiffel Tower you will find it at Allposters.co.uk. Visit our Amazon store today at www.amazon.co.uk/allposters to find Special Offers and search by subject category or artist. Allposters.co.uk provides unmatched service with a 100% satisfaction guarantee. We ship internationally to over 80 countries. Decorate your home today with your favorite pictures.

Heidelburg Sunset art print 50×70cm by Joseph Mallord William Turner
High quality art print by Joseph Mallord William Turner measuring 50×70cm

The Big White [Blu-ray] [2005] [US Import]
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Between Two Horizons: Spanning New Testament Studies and Systematic Theology
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Carousel [1956] (REGION 1) (NTSC)
The 1956 screen adaptation of Carousel, like its immediate predecessor Oklahoma!, boasted then state-of-the-art widescreen cinematography, stereophonic sound, a starring romantic duo with on-screen chemistry, and the Rodgers & Hammerstein imprimatur. Adding to its promise was a source (the venerable Ferenc Molnar play Liliom) that had already been filmed three times. Contributing to the lustre are the coastal Maine locations where 20th Century Fox filmed principal photography. Yet unlike the original Broadway production, and despite evident craft, Carousel proved a box-office disappointment. Why? Hindsight argues that movie-goers of the 1950s may have been unprepared for its tragic narrative, the sometimes unsympathetic protagonist, and a spiritual subtext addressing life after death.

Whatever the obstacle, Carousel may well be a revelation to first-time viewers. The score is among the composers’ most affecting, from the glorious instrumental “Carousel Waltz” to a succession of exquisite love songs (”If I Loved You”), a heart-rending secular hymn (”You’ll Never Walk Alone”), and the expectant father’s poignant reverie, “Soliloquy”. Top-line stars Shirley Jones (as factory worker Julie Jordan) and Gordon MacRae (as Billy Bigelow, the carnival barker who woos and weds her) achieve greater dramatic urgency here than in the more successful Oklahoma!. MacRae in particular attains a personal best as the conflicted Billy, whose anxiety and wounded pride after losing his job are crucial to the plot. It’s Billy’s impatience to support his new family that drives him to an ill-fated decision, which transforms the fable into a ghost story. –Sam Sutherland, Amazon.com
Used Price: ?11.46
Customer Review: Well worth going to the Carousel
Regarded by many as the best Rodgers and Hammerstein musical, it still manages to pack a punch after all these years. Most people will probably already be familiar with the hymn-like standard ‘You’ll Never Walk Alone’, but there are plenty of other gems here that are worth tuning in for. Fans of Frank Sinatra may recognise Billy’s ‘Soliloquy’. The scene on the beach where Gordon McRae belts it out is now a movie musicals’ classic. My personal favourite is the beautifully tender duet ‘If I Loved You’, a song so loaded with the promise of romance and deeply felt regret all at the same time - surely (or Shirley??) one of the best love songs in any Broadway repertoire. Another of the musical’s high points comes with the opening ‘Carousel Waltz’ itself, an instrumental piece that perfectly captures the very mood of a funfair and is probably one of Rodgers’ finest compositions. It won’t leave your head for days! While the camerawork may look a bit dated now, the story is still relevant and quite moving. Both of the leads (Gordon McRae and Shirley Jones) are well cast and the singing is excellent. Exquisite stuff indeed.
Customer Review: A Timeless Musical Masterpiece
Undoubtedly the most touching and beautifully written of Rogers and Hammerstein's movie-musicals, this film is in turns lightheartedly funny and tear-jerkingly sad. Featuring classic songs “June is Busting Out All Over”, “If I Loved You” and “You'll Never Walk Alone” and the undisputed talent of Shirley Jones and Gordon McRae, this film will leave you with tears streaming down your face long after the credits.


Beastly Boyz: A Twisted Tale of Revenge [2006]

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Allegheny Uprising [1940] (REGION 1) (NTSC)

Prizzi’s Honor [1985]
Used Price: ?0.24
Customer Review: The less you know about it, the more you’ll enjoy it
So many of the laughs in Prizzi’s Honor come from the plot twists (most of them included in the film’s trailer, conspicuous by its absence on this DVD) that it’s best not to go into it knowing too much. The fact that I’d forgotten so many of them is perhaps why I enjoyed it so much more the second time around. It’s a civilized entertainment - perhaps a little too civilized at times, although William Hickey’s deathly white vampiric Don gives a whole new meaning to the phrase Cookie Monster - elegantly made and plotted, which wasn’t so rare in 1985 but these days is a positive novelty. Jack Nicholson’s hamming it up again, but not as much as usual as the luckless Mafia enforcer who meets the woman of his dreams only to discover she’s ripped off the family. His comparative restraint helps keep the film from disappearing into slapstick and ridicule, but he still feels something of an impostor in this world - far more so than Kathleen Turner, on good form here as his fatal attraction. Quietly enjoyable. No real extras on the UK DVD apart from a few text trivia notes, but at least it isn’t panned-and-scanned like other titles from theABC library but has an acceptable non-anamorphic 1.85:1 widescreen transfer.
Customer Review: Bullets are hitting the wrong targets and missing the right ones
When the mafia becomes the argument of an action film and little more it is no longer funny, it is no longer strange, it is no longer fascinating. It is nothing but outlandish and terroristic. It takes all Jack Nicholson can give to make these characters in anyway palatable, and even so. In the Prizzi family all other considerations than the family is outlawed, except maybe for a couple of weeks and the woman concerned by this out-breeding passing passion has to submit and take the color of the wall on which she is being pinned. If she does not then she will be executed and cut off. There is no depth in that film, no subtleties or even subtlety. Get the message, bang it down on the table and then cram it down your brain. Business is business and in-breeding is the rule. I will always wonder why a hit-woman with a reputation of efficiency and effectiveness misses her husband when he intends to kill her though she manages to shoot one bullet first. Suspend your disbelief and incredulity. The cinema is the new church of the visual dominant animal man is. To see is to believe. But at times to believe is easier when you are blind, and probably deaf too. Apart from that it is interesting even if we do spend a little bit too much time in planes going east and planes going west, kind of an airlift between New York, or whatever may titillate you, and Los Angeles, or whatever it takes to please you. Dr Jacques COULARDEAU, University Paris Dauphine & University Paris 1 Pantheon Sorbonne

Stargate SG-1: Season 2
The success of the first year meant that Stargate SG-1’s second series could afford to spread its wings. In only the second episode, Carter is temporarily possessed by a good Goa’uld. This immediately allowed for both any amount of quick fix inside knowledge as well as story off-shoots, now that the show was bent on franchise longevity.

There appeared to be information overload (splinter group Tok’ra, Earth’s second Gate, Machello, endless Apophis encounters), as the finely interwoven threads of alien histories and inter-relationships were developed. But thankfully, SG-1 never lost sight of the need for great individual stories. There was a planet of Native American Indians; a planet on the edge of a Black Hole; a planet of aliens sensitive to sound. Even a planet run by Dwight Schultz! Better still, they found time to have fun with their universe, too.

“1969″ remains one of the best comic romps the series has enjoyed, and is a near-perfect self-contained time-travel story to boot. The team of actors had obviously bonded early on in the first year. It may be a bit of a military faux pas that there is only ever four of them leading every major explorative expedition, but the limited number of principals is actually something else the show has always had in its favour, allowing quality screen time to be spent on each of them from the outset (although Richard Dean Anderson would probably rather not have spent an entire episode impaled by a spike). –Paul Tonks
List Price: ?59.99
Amazon Price: ?17.97
Used Price: ?13.94
Customer Review: fsss
Stargate Rocks. Seasons one and three are better than season two but it still rocks.’The serpents lair’ and ‘Thors Chariot’ are two of the best episodes ever and the asgard and the tok’ra are very cool.
Customer Review: General, request permission to beat the c**p out of this man
When we last left Our Heroes, they were on Apophis’ ship, facing the impending destruction and/or enslavement of everyone on Earth. So unsurprisingly, the second season of “Stargate SG-1″ can only get better from there on. In fact, this is when the clever, innovative sci-fi series really started to gel together, with more intriguing storylines, character arcs, and some new alien allies — basically, it all blooms. Intending to blow up Apophis’ ship, our heroes get captured by the Jaffa and thrown in a cell — only to be unexpectedly rescued by Bra’tac (Tony Amendola), Teal’c’s old teacher. As Earth mounts a pitiful defense against the Goa’uld, SG-1 joins with a small band of rebel Jaffa to stop Apophis’ invasion — but they may have to leave one of their number behind. Obviously the Goa’uld make things awkward throughout the season, with the second episode featuring Sam (Amanda Tapping) being possessed by a Goa’uld during a rescue mission — but it seems that it’s part of a rebel Goa’uld faction called the Tok’ra. Teal’c’s (Christopher Judge) son is kidnapped and brainwashed, and Daniel (Michael Shanks) finds that his beloved wife is pregnant with Apophis’ child. And of course, SG-1 has to deal with lots of other stuff — insectile transformations, black holes, prison planets, Native American “spirits,” invisible bugs, hostile alien orbs, reliving their most traumatic memories in a VR world, and time traveling to 1969. And O’Neill (Richard Dean Anderson) gets an ancient repository of knowledge downloaded into his head — and he’ll die if they can’t reverse it. “Stargate SG-1″ really got into its stride in the second season — the basic Air-Force-versus-evil-headsnakes story gets expanded out into a bunch of arcs. We get new villains, some surprising new allies, hints about the true origins of the Stargates and the human race, and corrupt factions on Earth who use the spare Stargate for evil ends. The writing gets even steadier and the alien worlds more interesting — even stuff that sounds goofy, like the planet of singing mushroom-people, somehow works. The drama is stronger, and the sci-fi usage of the Stargate ever more creative, such as when a black hole’s gravity well keeps the gate open, and is slowly sucking Earth through the wormhole. Good, tense stuff. Of course, all the action and sci-fi is heavily tempered with comedy. Even in grim situations, there’s usually at least a few funny moments, such as Daniel’s tour of the custodial closet. And of course, the dialogue is priceless — most of the good stuff comes from O’Neill (”That’s between you and your god. Oh, wait a minute! You are your god! That’s a problem”), but Teal’c (”In my culture, I would be well within my rights to dismember you”) and the others usually get some good ones as well. Of the main cast, Amanda Tapping gets the juiciest role in this season — Sam deals with the impending death of her father, becoming a Goa’uld host, and trying to deal with the feelings it left behind. Including a cute Tok’ra boyfriend. Yet when we see Sam’s vulnerable sides, Tapping never lets her character be anything but a strong, capable military woman. But the other actors aren’t neglected — Shanks’ Daniel grapples with the news that his wife is pregnant with Apophis’ baby, while Teal’c faces losing his entire family. Anderson is brilliant as the quirky, capable O’Neill, but he really gets brilliant when Jack’s brain is being overwritten — he has to emote and communicate without a comprehensible word. The second season of “Stargate SG-1″ is where the story began to really get great, building up a series of strong story arcs, funny dialogue, and strong characters. Definitely a must-see.

Leprechaun [1993]
List Price: ?5.99
Used Price: ?2.94
Customer Review: So awful you’ve got to see it
This is a film that I will never forget. It really is dreadful but unlike other dreadful movies, I would watch it again (and again), preferably with other people so that they too can experience its dreadfulness. When my boyfriend is hogging the TV, I threaten to put this film on and he instantly understands his wrongdoings. You have to see this film to believe it.
Customer Review: AN ORIGINAL SORY AND GOOD GORE BUT NOT MUCH ELSE
Ten years ago, an evil leprechaun (Warwick Davis) lives, protecting his ill-gotten cold collection. Today, Dan O’Grady, (Shay Duffin) after finding what he believes are magical gold coins, steals the gold and returns back home, followed by the leprechaun. Ten years later, Tory Redding (Jennifer Aniston (Yes, it’s the same one)) and her father JD (John Sanderford) move into the same house, which Tory isn’t extremely fond of. Due to heckling from neighbor Nathan, (Ken Olandt) Tory agrees to stay. When friend Ozzie (Mark Holton) finds the leprechaun in the basement, no one believes him. When he finds the sack of stolen gold coins, he tells his little brother Alex (Robert Gorman) and they take it to get it evaluated. The leprechaun tracks it down, killing the shop owner. As the residents around the town start to be killed off, Tory and her friends start to realize that the killer is a leprechaun. Understanding the significance of the gold coins, they use them in a plan to rid themselves of the malevolent creature. The Good News: First of all, I want to get this out. This is the probably the goriest entry in the series. We have some really bloody kills such as a few really good looking face scratching, some convincing burn marks a face ripped off, a car burner to the nose, and an ear bitten off. The killings did look a little bit more creative than normal, and the effectiveness of them is a real testament to the movie. Another great thing about the killings is that the Leprechaun harmed before he killed. The great special FX is the best part here. This includes the only scare in the film: the recreation of the leprechaun. When Ozzie finds the crate with the Leprechaun in the basement, he leans in closer to hear what the crate is making and the hand shoots forth. The crate is then splintered into pieces as a terrified Ozzie is sent cowering away in fear, with the unbelievable story to tell. The Leprechaun’s make-up in this one is perhaps the most frightening of the series. It’s probably due to the fact that the film is a straight horror film, rather than the sequels’ more hilarious tone. Because of the cracks in the face and the different dimensions it has, with the lighting in the film, creates a really unnerving sight when first viewed. You can tell this was intended to be a great slasher film, as it does follow the slasher rules: the indestructible killer, the false death, the desolate location, the killer chasing the victim and catching them by walking, and the setting up of the sequel. All these things aside, the best reason to watch one is to see Jennifer Aniston in a pair of short-shorts for ninety minutes, as she never changes clothes. The Bad News: The sequels are what made the series. They were all downright hilarious, which this one really isn’t. This one feels intended to be a straightforward horror story, and there are no real big laughs in this one. There are a few funny scenes that definitely show where the series is going, such as a pretty funny scene where Ozzie is drenched in paint after an accident, but the fans who love the series for it’s wacky gags and smart one-liners will be lost here. Also readily apparent is Warwick Davis’ almost disinterest in playing the leprechaun. I didn’t see the glee that he had in the sequels in his performance in this one. You can almost tell that he didn’t think this was going to be big and never really put his all in. Another big problem is that the film really doesn’t have a lot of suspense or shock scenes. Even the few scenes that follow those conventions are total letdowns. When Nathan goes outside to check on a noise, he wanders around the building for a while before he steps into a clearly visible bear-trap the Leprechaun has set. It’s all too easy to see. You would think that wandering around a big dark house after dark would be a slam-dunk scare, but it’s wasted. The Final Verdict: It has a lot of people that are against it, and a lot of people who love this film. It is very hard to determine who will enjoy this movie, so give a rental or check it out on TV. Either way, it won’t hurt you too much.

Doctor Who - The Five Doctors [1983]
Yes, The Five Doctors is the one that gathers together Hartnell, Troughton, Pertwee, Baker and Davison, dumps them on some moorland and lets some of the Doctor’s greatest enemies take potshots at them. Except, of course, that William Hartnell had sadly passed on by the time this series was made in 1983 (although his replacement Richard Hurndall does an excellent job) and Tom Baker was only featured as a patched-in cameo, apparently prevented from joining in by a temporal thingummy. However, this kind of creakiness comes with the territory and is soon forgotten. The assorted incarnations of the Doctor (together with a scattering of assistants) are drawn together through time and space to battle Daleks, Cybermen, Yeti–those weird androids which keep jumping into the air and disappearing–and many other old foes. They realise that they’re on their home planet of Gallifrey and must eventually deal with the legacy of Rassilon, founder of the Time Lords. It’s all great fun, of course, and the excellent chapter points on this DVD compensate for the rather self-indulgent lack of editing. –Roger Thomas
List Price: ?19.99
Amazon Price: ?19.99
Used Price: ?4.38
Customer Review: Fun x 5!
The Five Doctors was originally broadcast on the 25/11/1983. It was the 20th anniversary special of the series and was what usually would be 4 25 min episodes in 1 90 min movie lenght episode. It see’s a powerful timelord (not tellin who!) gather the 5 incarnations of the Doctor (Peter Davison, Jon Pertwee, Patrick Troughton, Richard Hurndall, Tom Baker and William Hartnell) and a variety of companions that include Tegan (Janet Fielding), Turlough (Mark Strickson), Sarak Jane Smith (Elisabeth Sladen), Brigadier Lethbridge Stewart (Nicholas Courtney) and Susan (Carole Ann Ford) in the Death-Zone, a sort of Gallifreyan theme-park were either the innocent or the guilty are put to the test of survival. The 5 Doctors all try to reach the tomb of Rassilon (a great timelord god!) to try and find the answer to the mystery. Of course it won’t be easy, along the way there are Cybermen, a Dalek and a Yeti and that sort of feeling you get when you feel your being watched! An absolutely great Doctor Who story and a must have for Doctor Who fans!
Customer Review: A HELL OF A LOT OF FUN!
“The five doctors”, it`s not the most amazing doctor who story ever, but it`s alot of fun. Let me start with the bad points: 1. The absence of Tom Baker (however at least they got unseen footage of him in it) 2. The dalek only appears for about two minutes. 3. Susan twisting her ankle is totaly unnecessary That done and dusted, bring on the good points: 1. Richard Hurdnall does a good job portraying the first doctor. 2. The awsome battle between the Cybermen and the raston warrior robot. 3. Peter Davison, Patrick Troughton and Jon Pertwee on screen together. (such a shame Tom Baker isn`t there though.) 4. The whole yeti scene. I won`t spoil it for those who haven`t seen it. There are no extras but “the five doctors” remains a great buy. Bon Apetite!

Scarecrows [1988]
List Price: ?9.99
Used Price: ?3.75
Customer Review: Corn — y horror flick?
I loved this film when it first came out on VHS here in the UK back in 1990 — what could be cooler than a bunch of maniacal scarecrows roaming the woods in search of human prey? A bit dated now, but nevertheless a good watch with a few jars on a dull evening. What’s the general plot, then — ~ A group of armed bank robbers in full military attire have hijacked a plane and subsequently bail out over a stretch of jungle, while the plane’s owner and his daughter are forced to land nearby and wait. They discover a run-down and abandoned wooden house and use this as a base of operations. But it seems that they are not alone — the neighbours are roaming the woods, scarecrows who crave human prey. The money, it turns out, is blood money, although the act of revenge is never really explained. Greed is soon forgotten as they are forced to make their way back to the plane ~ You could say dated. Corny. Badly-acted. Ridiculous in premise. And you may be right. Unless, like myself, you have been a fan of cool and creepy, dark and violent horror films since a kid. If so, you’ll love this film. Check out also ‘Night of the Scarecrow’ and the ‘Scare-CrOw Slayer’ trilogy. Matt Lee-Williams
Customer Review: This is lovely!
A real, good, absorbing, creepy horror movie. Just the way I like them! No silly attempts at injecting humour into it, which ruins so many horror movies today, but loaded with menace and atmosphere, and so what if the story itself is a bit preposterous? (Spirits of three long dead people living on by inhabiting scarecrows) It works! And that is the main thing. The main premise of the plot is a group of robbers hijack a small plane and force the pilot and his daughter and their dog, to fly them away, but one robber bales out with the money and they go after him, and that’s where the real story begins. I like the way that it’s not all explained away and resolved with a neat, but boring, ending. The ending is great and most satisfactory. A must-see for all those who like a more in-depth horror movie with no real clear cut distinction between goodies and baddies and not one favoured over the other by the spooky and unnatural forces at work. When I first watched it years ago, it was on a very dark vhs tape recording, seeing it on dvd for the first time (I have the region one version) was a revelation. Great to see some of these old much loved movies getting dvd releases now.


Allegheny Uprising [1940] (REGION 1) (NTSC)

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