William Turner: Licht und Farbe : eine Ausstellung in Zusammenarbeit mit Tate

Three Pieces from ?Faa?de.’ [Score and part.]

Arundel Castle framed art print by Joseph Mallord William Turner
High quality framed art print by Joseph Mallord William Turner measuring 60×76cm

The Grand Canal Fine Art Poster Print by William Turner, 28×20
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Byrd - Gradualia, Vol.1: The Marian Masses [CASSETTE]

Belly [1999] (REGION 1) (NTSC)
Customer Review: Watchable…I guess
OK, if you’re intereseted in New York rap. Nas, DMX and a insane appearance by Method Man as an off-his head Ghetto assasin. Don’t expect great cinema though. Dircted by the same Hype Williams who did those cheesy shiny-suit videos in the mid-nineties, the film itself is a bit of a mess, with nothing to say that Boyz’n'the Hood didn’t say almost a decade earlier. While that film meant something, Belly is nothing but a slice of gun porn, played out to a Hip Hop soundtrack…I think Hype Williams needs to stick to his music videos.

Customer Review: Belly
A true HipHop cult classic with a Scarface flavour, up there with Friday and Menace II society.

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High quality framed art print by Joseph Mallord William Turner measuring 40×45cm
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High quality art print by Joseph Mallord William Turner measuring 60×80cm
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The Scarecrows [1988] (REGION 1) (NTSC)
Customer Review: very scary !
there is another release of ” scarecrows” from jef films ,but this is better quality , the region 1 unrated version ,the picture is sharp & the soundtrack is good & its uncut! mgm have done exremely well here except there is no extras ! but its a gripping horror drama ,lots of gore

& action . a group, of mercenaries hijack a plane after a robbery & they

need to get to mexico ,but one of them is greedy & parachutes off with the

money & lands smack in the middle of a field of scarecrows! the others

force the plane to land & find a deserted farmhouse & the creepy scarecrows ,but this is just the start of a night of terror ! one criticism

is most of the film is in the dark & you are struggling to see what is

going on but ,its one hell of a movie ,buy the r1 on mgm ,sure to be a classic ! worzel gummidge it aint !

Customer Review: OVERRATED BUT STILL GOOD
After making a daring escape from a military base, a group of robbers, Corbin, (Ted Vernon) Curry, (Michael David Sims) Roxanne, (Kristina Sanborn) Al, (David James Campbell) and Bert, (B.J. Turner) lose their money in a cornfield, and after dealing with a traitor in their ranks, the group comes upon a small, abandoned house on the grounds. Thinking it’s the perfect place to regroup, they hole up and decide on a plan of action. After trying to make an escape, they find the scarecrows in the field are alive and hinting them down one by one.

The Good News: This actually wasn’t as bad as I thought. One of the best things about this film is that it conjures up an effective and genuinely creepy atmosphere. The mystery surrounding the scarecrows is absolutely creepy, as they look just right and the aura created from them is remarkable. So much is derived from them and their look that they literally carry the film in the beginning. The biggest example of this is the first romp through the stalks. It’s a very long, drawn out sequence built around the faces and suspense from the scarecrows. A lot of it’s success is based on the scarecrows. It’s also pretty gory for what it is, and there’s some nice blood-splatter. The kills are nice and brutal as well, and feature a good dose of blood. There’s a hacksaw used to cut off a hand, a sickle repeatedly stabbed into the leg, and several stabbings. A gag with a bag up in a tree and the fact that every murder always features a graphic dissection doesn’t hurt it either. It’s simplistic story is also a big plus, keeping it upbeat along the way and putting all the focus where it should be.

The Bad News: There’s several things in here that didn’t really sit all that well. First, and most aggravating was that the majority of conversations were held over headsets, and often times made it seem like no one on-screen was actually speaking. It’s incredibly irritating and makes it completely disjointed. This makes it worse as it’s during the best part of the film. There’s also an uncut version around that is far gorier than what is given, which seems believable as what’s on display is kinda choppy at times and looks like it was edited. But outside of a few other very small nit-picks, this wasn’t all that bad. Not great, but not bad.

The Final Verdict: A little bit undeserving of it’s status as a cult classic, but it’s still a genuine creepy, features a memorable villain, and has some great moments spread throughout. There is some merit to it, though, so give it a chance. It’s fast enough that it won’t hurt much.