Prizzi’s Honor [1985]

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The Bear. An extravaganza in one act … Libretto adapted from Anton Chekhov by Paul Dehn and William Walton. Lyrics by Paul Dehn. German translation by Ernst Roth. Eng. & Ger


Prizzi’s Honor [1985]
Customer Review: The less you know about it, the more you’ll enjoy it
So many of the laughs in Prizzi’s Honor come from the plot twists (most of them included in the film’s trailer, conspicuous by its absence on this DVD) that it’s best not to go into it knowing too much. The fact that I’d forgotten so many of them is perhaps why I enjoyed it so much more the second time around. It’s a civilized entertainment - perhaps a little too civilized at times, although William Hickey’s deathly white vampiric Don gives a whole new meaning to the phrase Cookie Monster - elegantly made and plotted, which wasn’t so rare in 1985 but these days is a positive novelty. Jack Nicholson’s hamming it up again, but not as much as usual as the luckless Mafia enforcer who meets the woman of his dreams only to discover she’s ripped off the family. His comparative restraint helps keep the film from disappearing into slapstick and ridicule, but he still feels something of an impostor in this world - far more so than Kathleen Turner, on good form here as his fatal attraction. Quietly enjoyable.

No real extras on the UK DVD apart from a few text trivia notes, but at least it isn’t panned-and-scanned like other titles from theABC library but has an acceptable non-anamorphic 1.85:1 widescreen transfer.

Customer Review: Bullets are hitting the wrong targets and missing the right ones
When the mafia becomes the argument of an action film and little more it is no longer funny, it is no longer strange, it is no longer fascinating. It is nothing but outlandish and terroristic. It takes all Jack Nicholson can give to make these characters in anyway palatable, and even so. In the Prizzi family all other considerations than the family is outlawed, except maybe for a couple of weeks and the woman concerned by this out-breeding passing passion has to submit and take the color of the wall on which she is being pinned. If she does not then she will be executed and cut off. There is no depth in that film, no subtleties or even subtlety. Get the message, bang it down on the table and then cram it down your brain. Business is business and in-breeding is the rule. I will always wonder why a hit-woman with a reputation of efficiency and effectiveness misses her husband when he intends to kill her though she manages to shoot one bullet first. Suspend your disbelief and incredulity. The cinema is the new church of the visual dominant animal man is. To see is to believe. But at times to believe is easier when you are blind, and probably deaf too. Apart from that it is interesting even if we do spend a little bit too much time in planes going east and planes going west, kind of an airlift between New York, or whatever may titillate you, and Los Angeles, or whatever it takes to please you.

Dr Jacques COULARDEAU, University Paris Dauphine & University Paris 1 Pantheon Sorbonne

The Man with Two Brains

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The Man with Two Brains
Meet Dr Michael Hfuhruhurr (Steve Martin), the famous brain surgeon. Perhaps the name is not unfamiliar, though it is unpronounceable; the good doctor is the inventor of the celebrated “screw-top” method of brain surgery, in which the top of the skull twists off as easily as the lid of a pickle jar. The man may be a medical genius, but his talent for love leaves something to be desired, which explains his marriage to a gold-digging vixen (Kathleen Turner). Ah, but Dr. Hfuhruhurr may yet find true love, in the form of the disembodied brain he discovers in the lab of a mad scientist–David Warner, gone the Frankenstein route. (Lovely image: Hfuhruhurr in a rowboat, taking the brain out for a romantic ride on the lake.) Thus, in its own utterly goofy way, does The Man with Two Brains delve into the eternal dilemma of male indecision: does a man fall in love with a woman’s body, or with her mind? Along the way, of course, there are gags both highbrow and very, very lowbrow, a mind-body split that might be why critics have tended to prefer the more sophisticated slapstick of All of Me (directed, like this film, by Carl Reiner) and Roxanne among the early Steve Martin outings. Still, this is one of Martin’s funniest pictures, and a game Kathleen Turner, fresh off her Body Heat success, ably spoofs her own sultry image. The cerebral love object is voiced by Sissy Spacek. –Robert Horton

Customer Review: Twice as boring
Dr. Michael Hfuhruhurr (Steve Martin) has a problem choosing between brain waves, Anne Uumellmahaye (Sissy Spacek), and “Body Heat”, Dolores Benedict (Kathleen Turner). The whole premise is can love be found in a bottle.

I thought ‘The jerk’ was bad until I saw this movie, both mysteriously directed by Carl Reiner. All he does is make faces with no real acting or thought behind them. A few faces are o.k. but over an over of watching grins and grimaces can get monotonous. I almost stopped watching Steve martin that is capable of making good movies like “House Sitter” (1992) with Goldie Hawn.

Customer Review: Dated movie but a classic
This is Steve Martin before he started making boring not so funny family type movies. It’s a bit dated but he is so silly. So many funny scenes, such as when he is rowing a boat on a lake with a brain in a jar and he sticks a pair of wax lips on the jar so he can kiss it (he fell in love with a brain).